AUTHOR & TRANSLATOR
THE HERO’S WAY: WALKING WITH GARIBALDI FROM ROME TO RAVENNA by Tim Parks Walk into just about any city or town in Italy and you will inevitably bump into a statue or bust of a handsome man with flowing hair, deep-set eyes, and a thick beard, or you will see a plaque, a street, or a …
The judges said of this year’s shortlist: The field for the John Florio Prize this year was immensely rich, showing the breadth and depth of contemporary Italian writing, as well as the potential for rediscovery of forgotten fragments of the literary tradition. Through the outstanding work of their translators, I enjoyed reading everything from 19th-century …
I'm always thrilled to talk about the amazing and enduring Natalia Ginzburg. Hope to see you there!
WWB Daily Notes from the Classroom: On Teaching Translation By Jenny McPhee I am old enough to remember when creative writing was something you “couldn’t teach” and was considered by the academy to be a less than legitimate area of study. (Journalism didn’t even merit a raised eyebrow.) In my youth, there were only a handful …
"...but what most enraptured me were the asparagus, tinged with ultramarine and pink which shaded off from their heads, finely stippled in mauve and azure, through a series of imperceptible gradations to their white feet--still stained a little by the soil of their garden-bed--with an iridescence that was not of this world. I felt that …
On the front and back covers of the Turkish edition of Elif Shafak's novel İskender (to be published in the U.S. as Honor), the author appears in two different poses dressed as her male protagonist İskender, a handsome, savvy-looking youth with slick hair and a five o'clock shadow wearing a stylish suit. In Shafak's story, …
In a 1740 letter to an English friend, Voltaire expressed his regret at being unable to visit him, as he could not live without, even for a short period, "that lady whom I look upon as a great man and as a most solid and respectable friend. She understands Newton; she despises superstition and in …
Continue reading "ÉMILIE DU CHÂTELET: THE LADY WHO WAS A GREAT MAN, My December post at Bookslut"
"Is a pen a metaphorical penis?" Sandra Gilbert and Susan Gubar asked in their seminal study of women writers and the literary imagination The Madwoman in the Attic (1979, reissued 2011). Their answer was a resounding, if complex, yes, resulting in our most robust and far-reaching feminist literary theory to date. "In patriarchal Western culture," …
Continue reading "ZELDA: THE MADWOMAN IN THE FLAPPER DRESS My November Column at Bookslut"
Recently, in The New York Review of Books, Elaine Blair wrote, "Our American male novelists, I suspect, are worried about being unloved as writers -- specifically by the female reader. This is the larger humiliation looming behind the many smaller fictional humiliations of their heroes, and we can see it in the way the characters' …
Continue reading "THE (IMAGINED) WOMAN READER AND MALE ANXIETY: My September Column at Bookslut"
The serial killer Dix Steele in Dorothy B. Hughes's 1947 noir classic In a Lonely Place professes to his friend Brub Nicolai, an LAPD detective assigned to the "strangler" case, to be writing a detective novel. Brub responds: "Who you stealing from, Chandler or Hammett or Gardner?" Hughes herself stole brilliantly from her fellow pulp …
